Motel

The woman, standing in the corner of the motel room in her underwear, faces outward towards the viewer, creating a direct and confrontational gaze that compels engagement. The absence of facial features adds a layer of anonymity and universality to her character, allowing viewers to project their own interpretations and emotions onto her figure.

The juxtaposition of the woman's attachment to the background wall, with her feet hanging in open space, demonstrates a sense of disconnection and vulnerability. Her arms wrapped around her midsection, further reinforce a feeling of unease and self-protection, hinting at internal turmoil and apprehension.

The viewer's role as the "other person in the room" heightens the sense of intimacy and intrusion, blurring the boundaries between observer and participant. The frozen moment captured in steel line and shadow suggests a tension-filled pause, where the outcome and next steps are unresolved. This ambiguity generates a sense of unease, compelling viewers to engage with the narrative and imagine the potential scenarios.

"Motel" serves as a compelling exploration of intimacy, vulnerability, and the dynamics of power and presence within a confined and charged environment. The steel line drawing invites viewers to explore themes of identity, agency, and the interplay between perception and reality in a moment suspended in time. The piece challenges viewers to confront their own assumptions and projections, creating a space for introspection and contemplation within the confines of the motel room's intimate and unsettling space.